Writer, in the afternoon.

Writer, in the afternoon.

(Crime and Punishment mash-up)

I know nothing of means and remedies. I know nothing of higher art. I mistake zeal for action for actual progress and I have uprooted any hope of changing myself. I rent my heart to words. I have never been more of a cliché than I am now. At 27, the dangerous year for artists and lovers.

I grow out of my prejudices and into new ones like a pair of leather boots. My mind clings to a superiority to overcome crippling inferiority to a universe too big for one woman to discover alone. I throw lovers off the scent. Love, it all looks rather improbable. My heart stuffs its pockets with you and I go on humming the tune that saves my life every damn time.



Mind Food Monday: Adichie and the Danger of a Single Story.

Culture, assumption and the ‘Single Story’.

I discovered novelist Chimamanda Adichie today. She has the sort of career that makes me nervous as a writer. Her Wiki states that she has three degrees (one of which is from Yale); three fellowships (including one with Harvard), has written countless short stories and three books, two of which have been awarded prizes, she gives regular talks for TED, and teaches writing workshops in Nigeria and the US. Oh, and she’s only 35. No big deal [insert writer’s angst here].

Adichie’s novels include Purple Hibiscus and Half of a Yellow Sunboth of which were nominated for several awards including the Orange Prize for Fiction, with Purple Hibiscus winning the Commonwealth Writer’s Prize.

In the video below, Adichie talks about cultural assumptions and the danger of ‘single story’ perspectives. Both in the context of human relations and in reference to writing. She discusses how single story perspectives emphasize difference rather than similarity and reinforce stereotypes. At about 17:40 she discusses ambition and the power of a many story perspective saying

Stories matter, many stories matter, stories have been used to dispossess and to malign, but stories can also be used to empower, and to humanize…

I think that’s something relevant to everyone but especially relevant to creative people, to be aware of the stories you are creating and become accountable for what they say about a particular place, person or group of people.

Video courtesy of the lovely people at TED.

Click here to buy Adichie’s works.

Click here to annoy her via her Facebook page and Official Sites.

[I promise I will update the citation of this post asap – so don’t birth a four legged herbivore, ok?]